Expressive Painting – Felizitas Zechmeister
Felizitas Zechmeister
In meiner abstrakten Malerei begreife ich Farbe als eigenständige Kraft. Durch Schichtung, Spachtelbewegungen und Überlagerungen erforsche ich das Zusammenspiel von Material, Licht und Wahrnehmung. Aus der Reduktion entsteht ein vielschichtiger Bildraum.
Informal, Explosive Painting. Abstract · Acrylic on chipboard · 2025 · 35 × 45 cm
An early material painting exploring gesture, colour, surface and painterly energy. The expressive application of acrylic creates a dynamic, tactile surface in which the physical act of painting remains visible.
Informal, Explosive Painting 2: Abstract · Acrylic on chipboard · 2025 · 35 × 45 cm
An early material painting exploring gesture, colour, surface and painterly energy. The expressive application of acrylic creates a dynamic, tactile surface in which the physical process of painting remains visible.
Informal, Explosive Painting 3. Abstract · Acrylic on chipboard · 2025 · 35 × 45 cm
An early material painting exploring gesture, colour, surface and painterly energy. The expressive application of acrylic creates a dynamic, tactile surface in which the physical process of painting remains visible.
Horizon Black with White . Dark Material Painting · Oil on canvas · 2025 · 70 × 50 cm
Horizon Black with White explores materiality, surface, colour and light. Layered oil paint and palette-knife application create a tactile tension between absorption and reflection.
Monochrome Black, Palette-Knifed
A monochrome study of colour, surface and materiality. The palette-knife application creates a tactile, layered surface in which subtle variations within black become perceptible through texture, light and relief.
Black, Palette-Knifed with Red and Yellow. Dark Material Painting · Oil on canvas · 2026 · 60 × 40 cm.
A material exploration of darkness, colour and surface. Layered oil paint and palette-knife application create a tactile, dynamic surface in which red and yellow emerge as contrasting accents within the dense black pictorial space.
Black, Palette-Knifed with Red and White. Dark Material Painting · Oil on canvas · 2025 · 70 × 50 cm
A material exploration of darkness, colour and surface. Layered oil paint and palette-knife application create a tactile, dynamic surface in which red and white emerge as contrasting accents within the dense black pictorial space.
Black, Palette-Knifed with Red. Dark Material Painting · Oil on canvas · 2026 · 120 × 90 cm
A material exploration of darkness, colour, surface and light. Layered oil paint and expressive palette-knife application create a dense, tactile surface, while red introduces focused chromatic tension within the predominantly black pictorial space.
No. 4 Ultramarine. Variations in Blue · Oil on canvas · 2026 · 70 × 140 cm
A study of ultramarine, colour depth and materiality. Layered oil paint creates a luminous surface where pigment, texture and light reveal the physical presence of colour. Held in a private collection in Schöningen.
Nos. 1–2–3 Prussian Blue vs. Ultramarine. Variations in Blue · Oil on canvas · 2026 · 40 × 30 cm each · Triptych
A chromatic study of Prussian blue and ultramarine. The palette-knife technique creates layered, tactile surfaces in which subtle variations of colour, texture, density and light become perceptible across the three-part composition.
Nos. 5–6–7 Ultramarine and Prussian Blue. Variations in Blue · Oil on canvas · 2026 · 60 × 40 cm each · Triptych
A chromatic exploration of ultramarine and Prussian blue. The palette-knife technique creates layered, tactile surfaces in which variations of colour, texture, density and light unfold across the three-part composition.
No. 8 Variations of Blue with White. Variations in Blue · Oil on canvas · 2026 · 90 × 60 cm
A study of blue, light and colour modulation. Layered oil paint creates a luminous surface in which white opens the blue field and intensifies the interplay of colour, texture and light.
No. 9 Variations of Blue with White. Variations in Blue · Oil on canvas · 2026 · 40 × 100 cm
A study of blue, light and colour modulation. Layered oil paint creates a dynamic surface in which white interacts with the blue field, revealing subtle variations in colour, texture, depth and light.
No. 10 Variations of Blue with White. Variations in Blue · Oil on canvas · 2026 · 70 × 50 cm
A study of blue, white and light. Layered oil paint creates a structured surface in which subtle shifts of colour, texture and luminosity unfold across the blue field.
No. 11 Variation in Blue (palette-knife technique). Variations in Blue · Oil on canvas · 2026 · 60 × 60 cm
A study of blue, materiality and surface. The palette-knife technique creates a tactile, layered structure in which variations of colour, texture, density and light become perceptible within the monochromatic blue field.
Earth and Oil Paint on Canvas, Black. Earth and Oil Paint · Oil on canvas · 2026 · 50 × 70 cm
A monochrome material study combining earth and oil paint. The work explores materiality, texture and colour depth, treating earth as an integral element of the pictorial structure.
Earth and Oil Paint on Canvas, Grey. Earth and Oil Paint · Oil on canvas · 2026 · 50 × 70 cm
A monochrome material study combining earth and oil paint. The work explores materiality, texture and colour depth, treating earth as an integral element of the pictorial structure.
Earth and Oil Paint on Canvas, Light Grey. Earth and Oil Paint · Oil on canvas · 2026 · 40 × 60 cm
A monochrome material study combining earth and oil paint. The work explores materiality, texture and colour depth, treating earth as an integral element of the pictorial structure.
Nr. 21 · Schwarz mit Smaragdgrün 2026 · Öl auf Leinwand, Spachteltechnik · 100 × 80 cm Werkgruppe: Dunkle Materialmalerei – Licht und Reflexion Für eine Privatsammlung in München vorgemerkt.
Abstract material painting exploring darkness, colour, surface and light. Emerald green creates a focused chromatic accent, intensifying the interplay of absorption and reflection. Pre-ordered for a private collection in Munich.
No. 22 · Black, Ochre Yellow, Red 2026 · Oil on canvas, palette-knife technique, craquelure structure · 100 × 80 cm
Impasto paint and palette-knife techniques create a tactile surface. Craquelure enhances its material autonomy, evoking processes of deposition, transformation, and the inscription of time.
No. 23 · Monochromy – Fire 2026 · Oil on canvas, palette-knife technique · 100 × 50 cm
Monochromy – Fire explores black as material and space. Layered oil paint, palette-knife marks and craquelure meet glowing reds, yellows and orange. Light reveals a tension between surface and depth, darkness and contained energy.
No. 24 · Fragments 2026 · Oil on canvas · 70 × 50 cm
Curved lines, sharply defined overlaps, and traces of red light converge in a dynamic pictorial space. Lighter passages contrast with deep black, opening the composition in different spatial directions.
No. 25 · Fragments II 2026 · Oil on canvas · 70 × 50 cm
Vertical marks and horizontal layers combine to form a complex, relief-like structure. Black, rust red, orange, and broken whites enter into a tension-filled dialogue.